Essay

Kendell Geers

Duchamp’s Endgame (2/4): Bête comme une oie

Antonis Theodoridis

Antonis Theodoridis Captures Athens

Nicolas Vamvouklis

Athens Reinvented

Costa Tshinzam

On the 8th Lumbumbashi Biennale

Nombuso Mathibela

Public and Private Lines

The Lifeworlds of South Africa’s Contemporary Art Scenes

Sebastian Cichocki

Irish Surruralism

On the Work of Orla Barry

Kendell Geers

Duchamp’s Endgame

Elena Sorokina

Electric Flowers and Cosmic Motherhood

Anna Zemánková

Gunnar B. Kvaran

Yoko Ono’s Instruction Art

Vlad Ionescu

Trigger Warning:

Efferent, Flaming Creatures

Maria Persu

AIs, Murderous Showgirls and Other(ed) Monstrous Sights

Re-presenting the Abnormal in Cinema

Bas Blaasse

A Supreme Lack of Definition

L’art pour l’art

Jean Katambayi Mukendi

Electri-city

Michelle Mlati

(Un)Masking Afro Arab Environmental Identities from the Nile River Basin to Palestine

The Forest and Desert School Revisited

Seloua Luste Boulbina

From Europe to Africa and Back

Makenzy Orcel

Hamedine Kane invites Makenzy Orcel

Ha.Me.Dine

Anna Smolak

Brussels Unpolished