Duchamp’s Endgame

Kendell Geers (1968) grew up in a working-class South African family at the height of apartheid. At 15, he ran away from home to join the resistance movement, campaigning against crimes against humanity. From his experiences as a revolutionary, he developed an artistic practice that sees ethics and aesthetics as two sides of the same coin, spinning between the comfort of art and the challenges of history. Over his decades-long career, Geers has developed an oeuvre that subverts the language of p (…)