Text by Kathleen Weyts
Editor’s Note
A few weeks after the exhausting opening week of the 60th Venice Biennale, I found myself in Dakar. The purpose of my trip to Senegal was the 15th edition of Dak’Art, the oldest biennial on the African continent, which was due to open on 15 May but has unfortunately, just three weeks before the scheduled opening date, been postponed to November. In spite of the announcement, the artists in Dakar and members of its active scene called on the international art crowd not to cancel their presence, (…)